The images below are of a showcase exhibition of the Design Arts at the ANU School of Art’s gallery in Canberra, Australia. Amongst the 19 exhibitors were four finalists of this year’s IDEA awards, three winners of the Bombay Sapphire Design Award and two winners of the Canberra 100 Design awards – all alumni from the School of Art. This exhibition was opened to a full house by Brian Parkes, CEO of the Jam Factory, Adelaide. This exhibition will be on show till 25 August 2012.
Archive for the 'exhibition' Category
Tags: anu, art, brian, calypso lounge, canberra, cinnamon lee, craft, de sign ed, de sign ed 2, design, designed, designed 2, designer, designer/maker, education, exhibition, gilbert, henry pilcher, jam factory, jon goulder, maker, parks, riedelbauch, school of art
This exciting exhibition will be opening on Thursday 2 August at the School of Art gallery in Canberra at the Australian National University. The opener will be Brian Parks, director Jam Factory in Adelaide.
Works by the following designer/makers are presented in this show:
Elliot Bastianon, furniture
Sean Booth, metal
Simon Cottrell, metal
Cesar Cueva, metal
Janet DeBoos, ceramics
Nadège Desgenètez, glass
Ashley Eriksmoen, furniture
Robert Foster, lights
Jon Goulder, furniture
Megan Jackson, textile
Johannes Kuhnen, metal
Cinnamon Lee, metal
Rohan Nicol, lights
Henry Pilcher, lights
Phoebe Porter, metal
Gilbert Riedelbauch, metal
Blanche Tilden, metal/glass
Annie Trevillian, textile
Henry Wilson, furniture
The catalog includes a welcome by the head of school, Gordon Bull and an essay about the design arts by Anne Brennan the head of the Art Theory department. Here is a link to a pdf version of the catalogue.
Tags: art, contemporary, craft, design, design museum london, gilbert, jewellery, kunst, kunsthandwerk, ngv, rapid prototyping, riedelbauch, schmuck, Silber, silver, unexpected pleasures
With over 200 objects from 26 countries on display Unexpected Pleasures represents a significant global survey of contemporary jewellery.
The ring by Camilla Prasch features on the cover of the catalogue and the NGV invite.
First on show at the National Gallery of Victoria, Melbourne, 20 April – 26 August 2012, this exhibition will also tour to the Design Museum in London, 5 Dec 2012 – 3 Mar 2013. Melbourne based designer and maker Dr. Susan Cohn (interview with The Age) has curated this exhibition for the Design Museum and is also co-author of the substantial catalogue documenting this event as well contributing to the discussion about contemporary design and making.
I find interesting that 2/3 of the makers who have been selected to contribute works come from only four countries: Australia, Germany, The Netherlands and the UK. Which seems to make these the centre of global contemporary jewellery.
The following piece of mine was selected for this exhibition:
This object has its origin in mathematics. An equation describing a ‘minimal surface’, has been altered to explore its aesthetic properties. This form was built using ‘fused deposition manufacturing (FDM)’ a rapid prototyping process. This process generates a rough machine surface creating an intriguing surface pattern. You can find more information about this body of work by following this link.
Tags: act, art, Australia, canberra, craft, Craft ACT, Craft Australia, design, Designplan act, Halper, research, Vicki
Below you can find a list of craft & design organisations and individuals relating to the Canberra part of the visit to Australia by Vicki Halper a USA based Smithsonian Senior Fellow.
Her visit was made possible through funding from the Australia Council. Her dense Canberra itinerary reflects the surprisingly active and rich design scene in this city, however one has to know where to look or whom to contact to get a true sense of it.
Her visit coincided with a symposium about Design education at the Australian National University and the ‘City of Design’ talkfest at CraftACT. Vicki’s contribution to both events were very well received and stimulated informed discussions about important contemporary issues in the craft/design field. I am particularly grateful for the time she spend with our design arts students.
Craft Australia, Host organisation
School of Art, Australian National University
- Design Arts coordinator, Gilbert Riedelbauch, His Website
- Ceramics – Janet DeBoos
- Ceramics – Greg Daly
- Furniture Design – Greg St John
- Glass –Richard Whiteley
- Glass – Nadège Desgenétez
- Gold & Silversmithing – Johannes Kuhnen, Workshop Bilk
- Textile Design – Valerie Kirk
- Art Theory – Anne Brennan
- Professor David Williams
The following speakers presented at the ‘DesignPlan ACT‘ a discussion about design education:
- Chair – Catrina Vignando, Craft Australia
- University of Sth Australia – Dr. Andrew Welch, Studio Head of Jewellery + Metal
- University of Canberra – Dr. Eugenie Keefer Bell, Associate Professor of Architecture, Faculty of Arts and Design
- Fiona Dace Lynn – Canberra Institute of technology
CraftACT – craft and design centre
- Avi Amesbury – executive director
- Diana Hare – Curator and exhibition manager
- Amy Kerr – Communications and Program Coordinator
- Professional Members folios
The following presented at the ‘City of Design’ talkfest at CraftACT:
- Chair – Barbara McConchie, Manager, School of Art, ANU
- Rebecca Eggleston, Form, Western Australia
- Ann Jackle, Executive Director, Canberra Glassworks
- Dr. Michell Whitelaw, University of Canberra
- Pamille Berg, consulting Pty Lty.
- Johnathan Efkapidis, Director, Molonglo Group
- George, Thompson, Graduate University of Canberra
- Ann Jackle, Executive Director,
- Clare Belfrage, Artistic Director
Gallery and Workshop Bilk contemporary jewelery and glass & metal objects
Here are a few links to makers who were mentioned frequently:
and Gallery Metalab, Sydney
I tried my best to put this list together for Vicki. If you think I have forgotten someone she has met or should know, please let me know.
It was a great pleasure to meet and get to know Vicki during her stay in Canberra.
Tags: art, David Hockney, digital, gilbert riedelbauch, Hockney, iPad, kunst
What goes round, comes round. I was surprised to find my post ‘True digital art on iPad by David Hockney‘ almost word for word as well as image for image re-posted and littered with advertising by ‘theproductjudge’. As this post was intended as a thank-you to David Hockney’s for his generosity, I am frustrated by this syndication, code for rip-off. Frustratingly they even ripped-off my title and achieved swiftly a much higher Google ranking.
However, my blog stats suddenly increased as one of my images showing David Hockney’s drawings on iPads has gone up in Google’s ranking – number 4 if one searched ‘David Hockney iPad’ – due to this appropriation.
Similar to this but legit: Martyn Gayford wrote online about Hockney’s current exhibition of iPad drawings in Paris, days later this text was printed – ink on paper – in the ‘Canberra Times’ including the image of me with the iPads taken at an earlier event at ANU School of Art.
So, what ever is available can reappear in many forms. I just would have liked to been asked before someone uses my words and images (intellectual property) and tries to make a commercial gain.
Tags: art, craft, design, exhibition, gilbert riedelbauch, technology, web2
While sorting photos of a recent exhibition using iPhoto on an Apple Mac I explored the ‘book’ option in this free software. After selecting one of the many layout templates it was easy to populate the pages with images. The basic image editing tools in iPhoto also helped to improve the look of the pictures significantly. After tweaking the templates and adding the images and some text, I only needed to press the ‘buy’ button and through my Apple account the prove of my catalog was on its way to be printed. This is just another example of a web2 based production method.
The price of about $25 (Australian) for each copy is good if one needs only a few copies instead of hundreds to make a traditional print-run viable. I also used a pdf export of this catalog to get 20 copies printed locally, the price was comparable but the quality of the ‘Apple’ print was superior. You can download (500KB) a low res pdf of this catalog.
I have now a lasting document that helps with promoting my work and a little giveaway for everyone who supported my work. In the process I also registered as a publisher and this booklet has an ISBN. This might sound like a lot of effort for a little 30 page publication, but this catalog documents my recent ‘highlights‘ exhibition, which in turn represented the outcome of an intensive period of research and work as part of my professional practice.
My first solo exhibition since 2001 called ‘Highlights’ opened in February 2009 at Craft ACT in Canberra and then in May at Metalab, in Sydney. Many thanks to Catrina Vignando, general manager Craft Australia and Grace Cochran who have opened those shows respectively. Highlights represents a change in my practice with the focus on light objects as well as highlighting how combining making processes (manual, digital and distributed) can address the designer/maker model as a contemporary approach to craft. See earlier post of the design/making of the light ‘Desk 30’.
The exhibitions were well received and successfully set up by Jason Hugonnet, curator and exhibition manager Craft ACT and Cesar Cueva, director of Metalab. Please find Jason Hugonnet’s exhibition review here.